{"id":3351,"date":"2026-09-23T17:12:28","date_gmt":"2026-09-23T16:12:28","guid":{"rendered":"https:\/\/www.laurensoff.com\/wordpress\/?p=3351"},"modified":"2026-09-23T17:14:51","modified_gmt":"2026-09-23T16:14:51","slug":"loeuvre-vendue-aux-encheres-en-septembre-2026-a-paris-lage-mur-adjuge-a-15-million-deuros","status":"publish","type":"post","link":"https:\/\/www.laurensoff.com\/wordpress\/loeuvre-vendue-aux-encheres-en-septembre-2026-a-paris-lage-mur-adjuge-a-15-million-deuros\/","title":{"rendered":"L’\u0153uvre vendue aux ench\u00e8res en septembre 2026 \u00e0 Paris L’\u00c2ge m\u00fbr, adjug\u00e9 \u00e0 1,5 million d’euros"},"content":{"rendered":"

L’\u0153uvre vendue aux ench\u00e8res en septembre 2026 \u00e0 Paris est le num\u00e9ro 5<\/b> d’une \u00e9dition en bronze de son chef-d’\u0153uvre L’\u00c2ge m\u00fbr<\/i><\/b>, adjug\u00e9 \u00e0 1,5 million d’euros<\/b>. Ce bronze, r\u00e9alis\u00e9 vers 1907 par le fondeur Eug\u00e8ne Blot et retrouv\u00e9 apr\u00e8s \u00eatre rest\u00e9 quarante ans dans une remise, est le second exemplaire red\u00e9couvert r\u00e9cemment (le num\u00e9ro 1 avait d\u00e9pass\u00e9 les 3,6 millions d’euros).<\/p>\n

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La vie de Camille Claudel (1864 \u2013 1943)<\/h2>\n
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L’\u00e9veil d’une passion pr\u00e9coce<\/div>\n
1864 \u2013 1881<\/div>\n
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N\u00e9e dans l’Aisne, Camille Claudel se passionne tr\u00e8s jeune pour la sculpture en modelant la terre avec son fr\u00e8re Paul Claudel. Sa famille s’installe \u00e0 Paris en 1881 pour qu’elle puisse suivre des cours \u00e0 l’Acad\u00e9mie Colarossi, l’un des rares \u00e9tablissements artistiques ouverts aux femmes \u00e0 cette \u00e9poque.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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La rencontre et la passion avec Auguste Rodin<\/div>\n
1882 \u2013 1892<\/div>\n
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Elle int\u00e8gre l’atelier d’Auguste Rodin en 1882. Elle devient rapidement son \u00e9l\u00e8ve, sa collaboratrice essentielle (travaillant sur des pi\u00e8ces majeures comme La Porte de l’Enfer<\/i>), sa muse et sa ma\u00eetresse. Leur relation tumultueuse marque une p\u00e9riode d’\u00e9mulation cr\u00e9ative intense.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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L’affirmation d’un style propre et la rupture<\/div>\n
1893 \u2013 1905<\/div>\n
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Soucieuse de sortir de l’ombre de Rodin qui refuse de quitter sa compagne Rose Beuret, Camille Claudel rompt avec lui. Elle affine sa signature artistique avec des \u0153uvres ma\u00eetresses comme La Valse<\/i> ou L’\u00c2ge m\u00fbr<\/i>, qui symbolise la rupture tragique du trio amoureux.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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L’isolement et la d\u00e9tresse financi\u00e8re<\/div>\n
1906 \u2013 1912<\/div>\n
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En proie au manque de soutien financier, \u00e0 l’isolement et au sentiment d’avoir \u00e9t\u00e9 spoli\u00e9e par Rodin, elle d\u00e9veloppe un d\u00e9lire de pers\u00e9cution. Elle d\u00e9truit une grande partie de ses propres cr\u00e9ations lors d’acc\u00e8s de col\u00e8re dans son atelier du quai de Bourbon.<\/p>\n

On sait qu’un livre est en pr\u00e9paration mais chut….. L’auteure n’en dit pas plus<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

L’\u0153uvre vendue aux ench\u00e8res en septembre 2026 \u00e0 Paris est le num\u00e9ro 5 d’une \u00e9dition…<\/p>\n","protected":false},"author":1,"featured_media":3352,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[15,8093,8151,8094],"tags":[8104,8140,8112,8115,8135,8106,8137,8107,8134,8101,8099,8119,8097,8095,8133,8108,8113,8138,8127,8131,8130,1638,8126,8098,8152,8129,8123,8150,8114,8102,8110,8121,8143,8117,8125,8109,8136,1651,8148,8096,8116,8122,8139,8118,8111,8124,8144,8120,946,8100,8147,8103,8128,8142,8149,2240,8132,8146,8145,8105,8141],"class_list":["post-3351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-camille-claudel","category-eugene-blot","category-sculpture","tag-actualite-artistique","tag-ai-weiwei","tag-alberto-giacometti","tag-alexander-calder","tag-anish-kapoor","tag-antoine-bourdelle","tag-antony-gormley","tag-aristide-maillol","tag-arman","tag-art-francais","tag-auguste-rodin","tag-barbara-hepworth","tag-bronze","tag-camille-claudel","tag-cesar","tag-constant-meunier","tag-constantin-brancusi","tag-damien-hirst","tag-david-smith","tag-donald-judd","tag-duane-hanson","tag-edgar-degas","tag-eduardo-chillida","tag-encheres","tag-eugene-blot","tag-george-segal","tag-germaine-richier","tag-giuseppe-penone","tag-henry-moore","tag-histoire-de-lart","tag-honore-daumier","tag-jacques-lipchitz","tag-jaume-plensa","tag-jean-arp","tag-jean-tinguely","tag-jean-baptiste-carpeaux","tag-jeff-koons","tag-joan-miro","tag-kara-walker","tag-lage-mur","tag-louise-bourgeois","tag-marino-marini","tag-maurizio-cattelan","tag-max-ernst","tag-medardo-rosso","tag-niki-de-saint-phalle","tag-olafur-eliasson","tag-ossip-zadkine","tag-pablo-picasso","tag-paul-claudel","tag-rachel-whiteread","tag-retrospective","tag-richard-serra","tag-ron-mueck","tag-sarah-lucas","tag-sculpture","tag-sol-lewitt","tag-thomas-schutte","tag-urs-fischer","tag-vente-aux-encheres","tag-yayoi-kusama"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.laurensoff.com\/wordpress\/wp-content\/uploads\/2026\/09\/web-Camille.jpg","_links":{"self":[{"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/posts\/3351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3351"}],"version-history":[{"count":3,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/posts\/3351\/revisions"}],"predecessor-version":[{"id":3356,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/posts\/3351\/revisions\/3356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/media\/3352"}],"wp:attachment":[{"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laurensoff.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}